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Cranborne Bricklane 500
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Kompressor/limiter gate
The Brick Lane 500 redefines the standards of analog compression. This 500 Series module incorporates unique PWM modal compression technology, combined with controllable transient harmonic saturation, delivering an exceptionally rich sonic palette. With its six distinct compression modes and innovative architecture, it enables both surgical dynamics management and characterful creative processing.
Designed for producers, sound engineers, and artists seeking control and sonic color, the Brick Lane 500 combines the precision of a mastering tool with the musicality of a vintage analog processor.
Designed for producers, sound engineers, and artists seeking control and sonic color, the Brick Lane 500 combines the precision of a mastering tool with the musicality of a vintage analog processor.
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Technisches Arbeitsblatt
- Format
- Analog module in 500 Series format
- Main Technology
- Pulse Width Modulation (PWM) Compression
- All-analog processing, no digital conversion
- Audio integrity preserved and distortion minimal
- Modal Compression
- 6 selectable compression modes:
- VELVET: Vintage Vari-Mu compression, smooth and musical
- TAME: Fast and precise transient control, ideal for reducing excessive dynamics
- FLOAT: Opto-style, for smooth and natural compression
- GLUE: Bus compression, ideal for mix bus or master
- SMASH: Aggressive FET-type, perfect for drums and percussive sounds
- POLISH: High-precision analog limiter with "Analogue Lookahead" technology
- Stress control
- Adjustable harmonic coloration
- Allows you to enrich or dirty the signal on demand
- Built-in creative tool to sculpt the sonic character of the signal Compressed
- Analog Lookahead Technology (POLISH mode only)
- Quarterwavelength voltage detection
- Ultra-precise transient anticipation
- Fast and transparent analog limiting
- No induced latency, no digital conversion
- Applications
- Precise or creative dynamics processing in mixing, mastering, or sound design
- Suitable for individual tracks, subgroups, or complete mixes
- Optimized for sonic coherence, transient management, and rhythmic impact
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